Tag Archives: Playtime

Playtime: speculative poetry edition

Speculative poetry is the work of the present. It imagines what most of us will get wrong, a future more complicated and snaking, slow or quick, and wholly terrifying than what we will dream. Maybe this poem is about bees and maybe it isn’t; I won’t know until it’s too late for it to be anything else. – Tracy McCusker

In her latest Playtime post (seriously, the woman is a dynamo!), Tracy delivers a rejoinder to Alan DeNiro’s manifesto, Notes on Speculative Poetry. Appropriately, it is in the form of a prose poem. I had to read it twice: once for comprehension, again for pleasure. A few more times, I expect, for the accrual of wisdom. If I had the energy or wit, I’d compare Tracy’s thoughts to Ursula K. LeGuin’s as laid out in Language of the Night, which strikes me as a potentially fruitful exercise. Instead, I’ll just throw that comparison out there and let you lot work it out, if it so pleases you. I really enjoyed “Towards Speculative Poetry,” though. It’s a great piece. Let me know what you all think. ☕


Return of the One-Eyed Fat Man

Jeff and Hailee remain skeptical about this blog's claims to legitimacy.

My review of the Coens brothers’ True Grit is up at Playtime.  I wrote the first draft in early January, and by sheer coincidence, Glenn Kenny put up a post earlier today about Raising Arizona, which spurred some commenters to make observations about the Coens’ approach to their characters that are eerily similar to those that I make in my review.  I immodestly and recklessly submit this as irrefutable evidence that my opinions on the Coens have been validated in full.  Happy birthday to me!


We have liftoff!

For my first post on this blog, I thought it would be prudent to create a set of links to articles I’ve already written for Playtime on topics relating in some way to religion.  Sort of a house cleaning thing.  I’ve touched on religious topics over there already, and I expect I will again in the future.  Not all of these are even explicitly relevant to Christianity, but they provide some illumination of my continuing evolution as a critical writer, providing some context for what is to come.  Be forewarned: some of these articles make liberal use of salty language.

Hey — nobody’s perfect.  And I ain’t nobody.

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