I’ve a new article up at Playtime, in which I muse upon Glen Beck’s Independence Park and its relation to utopianism. Check it out. Also, many thanks to my editor, Tracy, who didn’t so much finesse the piece that I originally submitted so much as raise it from a lamb, nurse it to full bloom, personally butcher it, weave its fleece into a snowy white placemat, and serve upon that in a hand-carved bowl an aromatic and bracingly delectable lamb stew. If you don’t like the taste, it’s probably because she left the seasoning to me. ☕
Category Archives: Playtime
Playtime: speculative poetry edition
Speculative poetry is the work of the present. It imagines what most of us will get wrong, a future more complicated and snaking, slow or quick, and wholly terrifying than what we will dream. Maybe this poem is about bees and maybe it isn’t; I won’t know until it’s too late for it to be anything else. – Tracy McCusker
In her latest Playtime post (seriously, the woman is a dynamo!), Tracy delivers a rejoinder to Alan DeNiro’s manifesto, Notes on Speculative Poetry. Appropriately, it is in the form of a prose poem. I had to read it twice: once for comprehension, again for pleasure. A few more times, I expect, for the accrual of wisdom. If I had the energy or wit, I’d compare Tracy’s thoughts to Ursula K. LeGuin’s as laid out in Language of the Night, which strikes me as a potentially fruitful exercise. Instead, I’ll just throw that comparison out there and let you lot work it out, if it so pleases you. I really enjoyed “Towards Speculative Poetry,” though. It’s a great piece. Let me know what you all think. ☕
Playtime rises!

Art by Tracy McCusker.
After a long (loooong) hiatus, Playtime is back in action with a new look, a new address, and two new articles. First, our designer, editor, and all around awesomeness generator, Tracy McCusker, has composed some new poems that are part of a cycle she’s calling Poems in Space. They’re lovely, so please read them. Next, my compadre, Alex, and I discuss the relative merits of The Dark Knight Rises. I’m a fan, he’s not. We dig into aesthetics, politics, Frank Miller, and whatnot. If the idea of reading two passionate, intelligent guys go at it over a Batman movie, you definitely need to check it out. Personally, I’m incredibly grateful to Alex for his thoughtful, provocative responses; it made for a stimulating and rewarding conversation, and I couldn’t ask for a better sparring partner. Many thanks again to Alex, for doing the roundtable, and to Tracy, for editing it together so handsomely. Later on, we hope to do another roundtable — this one on Peter Jackson’s upcoming Hobbit adaptation. There are other ideas in the pipeline, too. Stay tuned. ☕
Don’t eat me, I’m only the cameraman!
My review of The Last Exorcism has been posted at Playtime. This is the fourth in a series of articles I’ve written on what I call the “docu-horror” subgenre that can be traced most directly back to 1999’s The Blair Witch Project, although I suppose there are precedents even earlier in cinema with which I’m unfamiliar. I’ve never seen Cannibal Holocaust or any of Mondo’s Faces of Death films; nor have they intrigued me enough (from what little information I have gathered) to do further reading. I’d be interested to learn more if anyone has knowledge related to this subgenre they’d like to share. Continue reading

